Christopher Alexander’s carpet collection, at its final state included about 80 carpets, most of them Turkish carpets, or carpets with a pronounced “Turkic” character
Christopher Alexander started collecting carpets because of his desire to learn from them. He felt that they had something to teach him. He was never interested in the classification of carpets, where they came from, or on their type. He only was interested in those pieces which had the most to teach him, in his work as an artist. And he found himself searching for earlier and earlier carpets, because he discover slowly that the earlier carpets had a deeper structure, were more beautiful, and had far more of that complex and important structure, from which there was so much to learn.
Although in the collection there were Spanish carpets, Persian, Caucasian, Central Asian and European carpets, the majority were Turkish carpets, with a preference to the early village pieces, which constitute the real core of authentic Turkish carpet production from the 14th to the 17th century. .
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Endless Knot Design Hispano-Moresque carpet
12th century Spanish carpet fragment, 62cm x250cm, South Spain; purchased in 1982 and sold on 7-Nov-2017, at Sotheby’s auction.
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Yellow and Blue carpet with Griffin and Archaic Border
14th century carpet in three fragments, 171cm x262cm, West Anatolia; sold on 2018, at Sotheby’s auction .
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Green carpet with Leaves
15th to 16th century European ‘bird’ carpet fragment, 177cm x 47cm, French Workshops; sold on 7-Nov-2017, at Sotheby’s auction .
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Geometry and Fifteen Fundamental Properties
Christopher Alexander recognized the importance of the geometry of centers and for years he was looking for the common structural features among buildings, paintings, streets, carpets, doors, windows, etc. which have "life" and "wholeness". He identified fifteen structural features which ...
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Color and Inner Light: The Eleven Color Properties
Christopher Alexander postulated that centers and the field of centers they create are the building blocks from which wholeness is made. However, he further argued that geometry alone is not sufficient, and that color is the way wholeness comes to ...
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A Foreshadowing of 21st Century Art - The Color and Geometry of very Early Turkish Carpets
1993
The seventh volume of “The Center for Environmental Structure Series” on architecture published by Oxford University Press is a book about carpets. Alexander assembled what many believe to be one of the finest collections of early Turkish carpets in the ...
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The Nature of Order - An Essay on the Art of Building and the Nature of the Universe.
Book Four - The Luminous Ground
2004
“The Luminous Ground” is the fourth and last volume of “The Nature of Order” series. In this volume, Alexander attempts to show the cosmological underpinning of the nature of order. The book has two goals. First, to show that the ...
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De Young Carpet Exhibition: List of carpets lent from the Christopher Alexander collection of oriental carpets to the San Francisco Museums for "Ancient Color and Geometry" exhibit
01/11/1990
Contains a 16-page list of eighty-seven carpets of which a selected group of approximately eighty will be on display.
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The Carpet Museum - A Shrine to Color and Light
01/01/1990
9-page essay on Alexander’s vision to build a Carpet Museum for housing eighty Turkish carpets from his collection, chosen for their unbelievable beauty of color and light; these carpets date from a range of periods from 12th to 17th century.