Exhibition “Zeitlose Art der Dinge / The Timeless Way of Things”in the Linz Café: Drawings
3 3rd drawing depicting the last six sections of the exhibit
Drawings depicting the layout of the items exhibited on three walls of the Linz café, with the name of every photograph. The exhibit was organized in 11 sections: 1) “Mirror of the Self” with 12 photos, 2) “Different Cultures, Different Eras” with 8 photos, 3) “Past -Present” in two groups with 8 photos each, 4) “Our Era” with 9 photos, 5) “Properties” in fourteen panels with a good and bad example each, 6) “Feeling” with nine photos, 7) “Process from the Past” in three group with 5 photos each, 8) “Industrial Process” with 6 photos, 9) “Satisfaction – Happiness” in two groups with 9 photos each, 10) “A New Process – Mexicali” with 11 photos, and 11) Conclusion.
Drawing:
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the first four sections of the exhibit titled "Mirror of the Self", "Different Cultures, Different Eras", "Past -Present" and "Our Era"
01/01/1980
Photographs depicting thirteen draft boards, four with the text and nine with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture ...
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the exhibited boards with text and photographs
01/01/1980
Fourteen photographs of eight out of the ten exhibit sections, showing the text and photograph boards of each section.
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the middle two sections of the exhibit titled "Properties" and "Feeling"
9 9) Text on Feeling
01/01/1980
Photographs depicting ten draft boards, two with text and eight with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture was ...