Exhibition “Zeitlose Art der Dinge / The Timeless Way of Things”in the Linz Café: Drawings
01/05/1980Drawings depicting the layout of the items exhibited on three walls of the Linz café, with the name of every photograph. The exhibit was organized in 11 sections: 1) “Mirror of the Self” with 12 photos, 2) “Different Cultures, Different Eras” with 8 photos, 3) “Past -Present” in two groups with 8 photos each, 4) “Our Era” with 9 photos, 5) “Properties” in fourteen panels with a good and bad example each, 6) “Feeling” with nine photos, 7) “Process from the Past” in three group with 5 photos each, 8) “Industrial Process” with 6 photos, 9) “Satisfaction – Happiness” in two groups with 9 photos each, 10) “A New Process – Mexicali” with 11 photos, and 11) Conclusion.
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the first four sections of the exhibit titled "Mirror of the Self", "Different Cultures, Different Eras", "Past -Present" and "Our Era"
01/01/1980
Photographs depicting thirteen draft boards, four with the text and nine with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture ...
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the middle two sections of the exhibit titled "Properties" and "Feeling"
01/01/1980
Photographs depicting ten draft boards, two with text and eight with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture was ...
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the last five sections of the exhibit titled "Process from the Past", "Industrial Process", "Satisfaction - Happiness", "A New Process - Mexicali" and Conclusion"
01/01/1980
Photographs depicting twelve draft boards, five with text and seven with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture was ...