Go BackExhibition “Zeitlose Art der Dinge / The Timeless Way of Things”in the Linz Café: Photographs of the exhibited boards with text and photographs
01/01/1980Fourteen photographs of eight out of the ten exhibit sections, showing the text and photograph boards of each section.
Photograph:
- 1) Exibit title board
- 2) Introduction to exhibit with a large size photograph
- 3) First section 'Mirror of the Self' commences with text board
- 4) First section 'Mirror of the Self' - 6 pairs of photos with positive & negative example each
- 5) First section 'Mirror of the Self' - last 4 pairs
- 6) Second section 'Different Cultures, Different Eras' - Eight positive examples from the past
- 7) Third section 'Past-Present' - Text board & eight negative examples from the past
- 8) Third section 'Past-Present' - Eight positive examples from the present
- 9) Fourth section 'Our Era' - Seven negative examples
- 10) Fifth section 'Properties' - text board & two out of the fourteen geometric properties
- 11) Fifth section 'Properties' - the twelve remaining geometric properties
- 12) Sixth section 'Feeling' - text board & nine photos
- 13) Ninth section 'Satisfaction - Happiness' organized in two opposing groups
- 14) Tenth section 'New Process - Mexicali' with fourteen photos from the construction of the project
References
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Geometry and Fifteen Fundamental Properties
Christopher Alexander recognized the importance of the geometry of centers and for years he was looking for the common structural features among buildings, paintings, streets, carpets, doors, windows, etc. which have "life" and "wholeness". He identified fifteen structural features which ...
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Wholeness as a Tangible and Objective Quality: The Mirror of the Self
In any process of design or making, the next step which is most structure-enhancing, is that step which most intensifies the feeling of the emerging whole. What ultimately matters in this process is that the work produced generates feeling in ...
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Wholeness and the Theory of Centers
Christoper Alexander defined and described wholeness as an idea to view and shape space, and searched for ways to formulate and represent wholeness in precise terms, as a structure. He idenfied the entities with 'strength' give structure to what is ...
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the first four sections of the exhibit titled "Mirror of the Self", "Different Cultures, Different Eras", "Past -Present" and "Our Era"
01/01/1980
Photographs depicting thirteen draft boards, four with the text and nine with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture ...
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the middle two sections of the exhibit titled "Properties" and "Feeling"
01/01/1980
Photographs depicting ten draft boards, two with text and eight with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture was ...
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Exhibition "Zeitlose Art der Dinge / The Timeless Way of Things"in the Linz Café: Photographs of the mock-up boards for the last five sections of the exhibit titled "Process from the Past", "Industrial Process", "Satisfaction - Happiness", "A New Process - Mexicali" and Conclusion"
01/01/1980
Photographs depicting twelve draft boards, five with text and seven with visual examples. Though in a schematic and condensed form, the boards represent closely the content, sequence and overall feel of the exhibit, but not the way each picture was ...
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